Living in the desert is difficult. And traveling in the desert involves a whole learning process that can be long and tough. No one can even begin to know anything about this land without the experience of searching for water, for wood and for animals. That no doubt explains why a nomad in the central or southern Sahara, when talking about an outsider, will first mention courage: “He’s not very courageous” or “How courageous she is!” How many times have I heard these sweeping statements, well before any other comment is made about character, intelligence or the beauty of a person’s face? The desert can mean splendor and serenity, but it is also unpredictable, hostile, and often thankless; it must be approached with respect and with care. The desert is modest and secretive, but, despite its nature and will, it has become a commodity, hidden behind a mirage of advertising decors and the lure of trendy tourism – an easy-access desert, available to everyone, the decoy of modern times. But will people who have “done the desert” in ten days, in a so-called “organized” trip, have had the experience of hunger and thirst, of cold and hardship? Will they have encounters with death, becoming as familiar with death as anyone living in the desert, or crossing it? Yes, there are lands that exist with the people who live there, and others that exist with the people who traverse them.

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We should never forget the words whispered by General Laperrine, in March 1920, speaking to his two companions in adversity, and still relevant today. They were his last words, when lost in the desert, less than 400 kilometers south-west of Tamanrasset. “My children, people say that I know the desert, but no one can know it… I have crossed the Sahara ten times, and I shall stay here the eleventh time.”

Jean-Luc Manaud

The desert which Jean-Luc Manaud is showing us is not the desert of beautiful pictures used as bait for business, as seen on hoardings and screens, and in shop windows. Photography means “writing with light”, and Jean-Luc Manaud has been observing, and has told a story. He has modestly written with light, and produced photographs that are restrained, or even austere, that simply show the everyday situation as it is. “Tales of the Sahara” will offer an experience and a better understanding of the fragile and unique land of the central Sahara.

Roselyne Chenu

Jean-Luc Manaud

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