Since September 2001, around one thousand Israelis and three times as many Palestinians have lost their lives in suicide bombings and deadly air raids. The Peace Process is in a shambles, and the hopes raised by the Oslo peace accords have all but vanished. The team of Associated Press photographers — Palestinians, Israelis and foreigners — spent the past three years documenting the daily struggle on both sides of the conflict, bringing this harsh reality to the front pages of thousands of newspapers around the world. In doing so, not only have they documented the conflict as we all know it, but also daily life, happiness and grief, all becoming part of the Associated Press’ daily coverage of the area, for newspapers and magazines alike.

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Photographers working for a wire agency find a place like Palestine and Israel is a fascinating daily adventure. An average of 70 pictures per day are sent by shooters to the Jerusalem hub, where they are edited, selected, captioned, and forwarded by satellite to thousands of newspapers and other news outlets around the world instantly. Only 20 make the cut on a good day. Regardless of other events happening in the world on a given day, the Holy Land is still the most covered, photographed and talked about place; maybe because it is where it all started, maybe because solving that conflict would solve others, in a domino effect.

No other story receives such scrutiny. This is the one place where as a photographer, hence as a journalist, you CANNOT afford to make ANY mistake. Even the slightest one, as everything can become a worldwide political argument overnight.

Many of the photographers whose pictures are included in this show never dreamt of becoming professional photojournalists. But for them, it was a matter of survival, telling the story as they see it, from where they live, and die.

In a way, this is the essence of pure photojournalism. Documenting your own backyard. Their pictures are of events happening in their villages, in their cities, in their country. And the only ambition is to document what they see, what they live.

Foreign photographers come and go. The Nassers and Mohammeds and Adels stay. For they cannot leave. But what brings all these journalists together is the passion they have to document history in the making with honesty. The result is what you see: reality, no tricks, no setups, no gimmicks, just the truth, seen through the eyes of those who experienced it first hand.

Collectif de photographes The Associated Press

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