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Hiromi Nagakura INTERVIEW

© Nelly CARLES

Hiromi Nagakura's fascination for Afghanistan is very deep-rooted. When he was a student, his dream was to go there because it was so far from Japan. Hiromi Nagakura thought he would be able to do some pioneer work. His relationship with the country started in 1975 when he visited and stayed with the nomads.

Hiromi Nagakura first met Massoud in 1983. They were the same age, twenty-nine years old. He was impressed and fascinated that such a young man could be the head of a group of soldiers. Through Massoud, he wanted to go beneath the surface of the war.

Journalists from around the world used to come to interview Massoud and then used to leave. Contrary to them, Hiromi Nagakura stayed there until Massoud became very intrigued by this photographer and accepted him as a friend. During his first trip, Hiromi Nagakura stayed 100 days with Massoud, between 1988 and 2000 he came back and spent nearly 500 days with him.

Hiromi Nagakura wanted his pictures to show the viewers who Massoud was as a human being, as a man. "He loved poems and reading and was so kind to others." Hiromi Nagakura remembers many scenes that showed Massoud's personality. He recalls with pleasure and fascination the following story : a commander came to see Massoud to ask for money, weapons and food, while he was reading a poem. Since he didn't have what the commander was asking for, he answered that the poem he was reading was very good. The commander insisted but Massoud continued saying the poem was very interesting and started reading it. Hiromi Nagakura remembers with amazement that Massoud accepted back the soldiers who had betrayed him.

He is very moved when speaking about his friend Massoud. He admired him, liked him very much and was so happy to be always treated as a friend. He was impressed by Massoud's personality and took pictures of daily life and warfare. Hiromi Nagakura was always watching him. He underlines that he is not a writer, he needs to see, to observe before he can take a photograph.

He explains that Massoud was a "mirror" for him. "I would take a picture and would see myself in it." Massoud was very helpful, very kind to the old. If I took a picture of him helping an old person, I would reflect and wonder if I was good with old people.

Massoud thought God was with him, he wanted and tried to be a good Muslim. For him, Islam was about living together in peace. Massoud thought if he was still alive in the future, he would study again and work in trade. He would have liked to spend more time with his family too. He treated people with a lot of respect and was always very modest. However, he was killed in 2001.

Massoud was the link between Hiromi Nagakura and Afghanistan. He always spoke about the importance of education because one day the war would be over. In 2002, Hiromi Nagakura worked with an NGO to provide help to a primary school in the Panjshir Valley. With these children, Hiromi Nagakura will keep a connection with Afghanistan and with Massoud's dream.

Hiromi Nagakura's dream would have been to photograph Massoud in peaceful Afghanistan.


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